Propellerhead ReCycle Spezifikationen Seite 58
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SETTING SLICES AND LOOPS
56
Using the Lock Tool
The Lock tool is essentially the opposite of the Hide tool. If you lock a slice, by
clicking on its marker with the Lock tool, it will stay even if you drag the Sensitiv-
ity slider all the way to zero.
If a slice is locked...
...it will stay even if you set Sensitivity to zero.
Locking several Slices at the same time
If you have several slices selected (see below) they will all get locked when you
click on one of them.
Unlocking Slices
To unlock a locked Slice, simply click on it again with the Lock tool.
When do I use the Lock tool?
If you got a good set of slices by just using the Sensitivity slider, but discover
that in one or two places you hear two sounds when you click on a slice, then it
is time to bring out the Lock tool.
1. Find the place where you hear two sounds when auditioning.
2. Make a mental note of the current slider setting.
3. Set the sensitivity slider to a higher value to get a slice between the
two sounds.
4. Audition to make sure you got what you wanted.
5. Lock the new slice.
6. Drag the sensitivity slider to the original setting.
Clicking on one of the selected slices... ...locks all of them.
- , Operation Manual 1
- TABLE OF CONTENTS 4
- Clearing 8
- About This Manual 9
- INTRODUCTION 10
- MACINTOSH INSTALLATION 12
- Audio Card Driver 14
- System Information 15
- WINDOWS INSTALLATION 18
- Installing ReCycle 19
- Setting Up The Sampler 19
- MIDI and SCSI 19
- Audio Settings 21
- Getting Help and 22
- Additional Info 22
- Contacts 23
- About ReCycle 24
- Quick Tour of ReCycle 25
- How ReCycle Works 26
- Using ReCycle - Step By 27
- QUICK TOUR OF RECYCLE 28
- Exporting to File 30
- Sampler Settings 31
- The Sampler Settings 32
- Adding a Sampler Manually 33
- Making Settings for a Sampler 34
- SAMPLER SETTINGS 35
- Opening and Receiving Audio 37
- About Sounds and 38
- Using Open 38
- File Information 39
- Using Drag and Drop 40
- Launching from Files 40
- Receiving Audio from the 40
- If the “Do you want to 41
- OPENING AND RECEIVING AUDIO 42
- The ReCycle Window 43
- Window Overview 44
- Status Bar 45
- Window Title 45
- Level Meter 45
- Handling Windows 46
- Magnification, Song 46
- Position and Scrolling 46
- Waveform Display 47
- The View Menu 48
- The Edit Menu 48
- Context Menu Items 49
- Slice Handles 50
- Left/Right Locator Area 50
- Playing Audio 51
- Audio Quality 52
- Playing the entire Loop 52
- Auditioning Slices 52
- Preview mode 53
- PLAYING AUDIO 54
- Setting Slices And Loops 55
- Using Sensitivity 56
- Using the Hide tool 56
- Bringing back Hidden Slices 57
- When do I use the Hide tool? 57
- Using the Lock Tool 58
- Selecting Slice Markers 59
- Manual Slice Handling 59
- Moving a slice marker 60
- Where do I place the Slice? 60
- Deleting Slices 60
- How many Slices do I 61
- Left and Right Locator — 61
- Setting the Loop 61
- Tempo, Time Signature 62
- Bars and Beats 62
- Processing Audio 63
- About the Effects 64
- Effect Parameters 65
- Transient Shaper 66
- Equalizer 66
- The Process Menu 67
- Additional Processing 68
- Gate Sensitivity 69
- Preview Pitch 69
- Preview Tempo 69
- PROCESSING AUDIO 70
- Transmit and Sampler Options 71
- Selecting a Sampler to 72
- Transmit to 72
- Transmit and Memory 72
- Transmit Options 72
- The Transmit dialog 73
- Program Name 74
- Sample rate 74
- Templates 74
- Transmit 75
- MIDI File + Transmit 75
- TRANSMIT AND SAMPLER OPTIONS 76
- Saving and Exporting 77
- Saving ReCycle 78
- Documents 78
- Exporting Files 78
- File Formats 79
- Export Settings 80
- Exporting MIDI Files 80
- Templates and MIDI Files 81
- SAVING AND EXPORTING 82
- Example Applications 83
- Which Samples will work? 84
- The Simple Trim 84
- EXAMPLE APPLICATIONS 85
- Slicing for Editing 86
- Using Silence Selected 86
- Extracting a Groove 87
- Quantizing Audio 87
- Extracting Sounds 88
- Using Loops with unusual 88
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Ao smith BPD-400 Manuel de l'utilisateur (36 pages)
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