Propellerhead Reason - 4.0 Betriebshandbuch Seite 193
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SUBTRACTOR SYNTHESIZER
191
The Filter Section
In subtractive synthesis, a filter is the most important tool for shaping the overall tim-
bre of the sound. The filter section in Subtractor contains two filters, the first being a
multimode filter with five filter types, and the second being a low-pass filter. The com-
bination of a multimode filter and a lowpass filter can be used to create very complex
filter effects.
Filter 1 Type
With this multi-selector you can set Filter 1 to operate as one of five different types of
filter. The five types are illustrated and explained on the following pages:
D 24 dB Lowpass (LP 24)
Lowpass filters lets low frequencies pass and cuts out the high frequencies. This
filter type has a fairly steep roll-off curve (24dB/Octave). Many classic synthesizers
(Minimoog/Prophet 5 etc.) use this filter type.
The darker curve illustrates the roll-off curve of the 24dB Lowpass Filter. The lighter curve in the
middle represents the filter characteristic when the Resonance parameter is raised.
D 12 dB Lowpass (LP 12)
This type of lowpass filter is also widely used in analog synthesizers (Oberheim,
early Korg synths etc.). It has a gentler slope (12 dB/Octave), leaving more of the
harmonics in the filtered sound compared to the LP 24 filter.
The darker curve illustrates the roll-off curve of the 12dB Lowpass Filter. The lighter curve in the
middle represents the filter characteristic when the Resonance parameter is raised.
D Bandpass (BP 12)
A bandpass filter cuts both high and low frequencies, while midrange frequencies
are not affected. Each slope in this filter type has a 12 dB/Octave roll-off.
The darker curve illustrates the roll-off curve of the Bandpass Filter. The lighter curve in the middle
represents the filter characteristic when the Resonance parameter is raised.
- Operation Manual 1
- Table of Contents 3
- TABLE OF CONTENTS 4
- Tool Tips 11
- Context menus 12
- Window Techniques 13
- Scrolling with the scrollbars 14
- Scrolling with the Hand tool 14
- D Audio basics 17
- About this chapter 18
- How Reason communicates 18
- Playing back 19
- Exporting audio 19
- Importing audio 19
- General Information 20
- What is acceptable? 21
- ReWire and Latency 21
- Reducing latency 21
- PC Specific Information 22
- Mac Specific Information 22
- D Sounds, Devices and Patches 23
- Rack device procedures 24
- Selecting devices 25
- Deleting devices 25
- Reordering devices 25
- Duplicating devices 26
- Cut, Copy and Paste 26
- Naming devices 27
- Folding and unfolding devices 27
- A Quick Note on Routing 28
- Manual Routing 29
- Using Cables 30
- Using pop-up menus 30
- Disconnecting Devices 30
- About patches 31
- Selecting a patch 32
- Saving Patches 32
- Initializing Patches 33
- About ReFills 34
- Using the Browser 35
- Opening the browser 36
- Browser elements 36
- SOUNDS, DEVICES AND PATCHES 37
- Navigating in the Browser 38
- Using Locations 39
- Selecting multiple files 39
- Cross-browsing patch files 40
- Using the Search function 41
- Opening files 42
- About browse lists 42
- Using Favorites 42
- Handling Missing Sounds 43
- The Missing Sounds dialog 44
- D Routing Audio and CV 47
- About the various signals 48
- About Cables 48
- Automatic Routing 49
- Using CV and Gate 51
- ROUTING AUDIO AND CV 52
- D The Sequencer 53
- Sequencer basics 54
- About the two view modes 55
- Track handling 56
- Moving tracks 57
- Deleting tracks 57
- Creating tracks 57
- Folding tracks 58
- Track Color 58
- Naming tracks 58
- THE SEQUENCER 59
- About the Transport 60
- Transport controls - overview 61
- Playback and positioning 61
- Using the loop 62
- Recording 63
- Redoing part of a take 64
- Basic note lane handling 65
- Recording automation 66
- Before you record automation 68
- Basic procedure 68
- Deleting automation lanes 70
- Folding automation lanes 70
- About the toolbar 71
- About Snap 72
- Editing clips in Arrange 72
- Moving clips on the same lane 73
- Moving clips between lanes 73
- Duplicating clips 74
- Using Cut, Copy and Paste 74
- Deleting clips 75
- Resizing clips 75
- About overlapping clips 75
- A muted clip 76
- About Match values 78
- About subticks 78
- Inserting and Removing Bars 79
- Clip color 79
- The Edit mode 80
- The Edit mode elements 81
- Edit mode window handling 82
- Drawing Notes 83
- Editing Notes 83
- Editing velocity 85
- Editing automation 86
- About Automation Cleanup 88
- Drawing automation events 88
- Deleting automation events 88
- Editing Pattern Change clips 89
- Drawing Pattern clips 90
- Deleting pattern change clips 90
- Tool window - Tools page 91
- Pitch (Transpose) 92
- Velocity 92
- Note Lengths 92
- Legato Adjustments 93
- Scale Tempo 93
- Alter Notes 93
- Copying patterns to 94
- Redrum notes 95
- Matrix notes 95
- Automating tempo and time 96
- Automating time signature 97
- Importing and Exporting 98
- MIDI Files 98
- D The ReGroove Mixer 99
- Introduction 100
- The ReGroove Mixer 100
- Channel parameters 101
- Groove Patch Name 102
- Groove Patch Browser 102
- Groove Amount 103
- Pre-Align 103
- Global Shuffle 103
- Groove Settings 104
- Velocity Impact 105
- Note Length Impact 105
- Random Timing 105
- Get From Clip 105
- Working with grooves 106
- THE REGROOVE MIXER 107
- Groovy tips & tricks 108
- The ReGroove patches in the 109
- Factory Sound Bank 109
- About the various MIDI 112
- About Remote 112
- Setting up 112
- About the master keyboard 113
- Remote basics 114
- Locking a surface to a device 115
- Unlocking devices 116
- Remote Override 117
- Method 2: 118
- Removing Remote Overrides 118
- Additional Remote 119
- Overrides 119
- Keyboard Control 120
- Saving Remote Setups 121
- About the External Control 124
- Bus inputs 124
- About this Chapter 126
- Why use Reason with 126
- Introducing ReWire! 126
- Launching and Quitting 127
- Using the Transport and 127
- Tempo Controls 127
- Synchronization 127
- Routing Audio 128
- Routing MIDI via ReWire 2 128
- Converting ReWire 129
- Channels to Audio Tracks 129
- Details About Various 129
- ReWire Hosts 129
- D Synchronization 131
- ReWire users – Read This! 132
- What is Synchronization and 132
- MIDI Clock? 132
- Slaving Reason to an 132
- External Device 132
- Slaving Reason to Another 133
- Program on the Same 133
- Computer 133
- Considerations 133
- About Tempo Changes 134
- MIDI Sync and Focus 134
- D Song File Handling 135
- About Self-contained Songs 136
- Song Information 137
- About the Reason Song Archive 138
- Exporting as an Audio File 139
- SONG FILE HANDLING 140
- D Optimizing Performance 141
- Optimization and Output 142
- Optimizing Your Computer 143
- Optimizing Songs 144
- Songs and Memory 145
- Requirements 145
- OPTIMIZING PERFORMANCE 146
- D Transport Panel 147
- Overview 148
- Tempo and Time Signature 149
- Song Position 149
- Loop On/Off 149
- New Dub/New Alt buttons 149
- TRANSPORT PANEL 150
- D Reason Hardware Interface 151
- MIDI In Device 152
- Audio Out 152
- D The Combinator 153
- Creating Combinator 154
- Combinator elements 155
- About internal and external 155
- THE COMBINATOR 156
- Adding devices to a Combi 157
- Combi handling 158
- Sequencer tracks and 159
- The Controller panel 159
- Using the Programmer 160
- About the keyboard 161
- About the Transpose function 161
- Using Modulation Routing 162
- CV Connections 163
- D The Mixer 165
- The Channel Strip 166
- Channel Strip Controls: 167
- The Mixer signal flow 168
- About the EQ modes 168
- The Auxiliary Return Section 168
- The Master Fader 168
- Connections 169
- Chaining Mixers 170
- D The Line Mixer 6:2 171
- Master level 172
- THE LINE MIXER 6:2 174
- D Redrum 175
- About File Formats 176
- Using Patches 177
- Programming Patterns 178
- Pattern tutorial 179
- Setting Pattern Length 179
- Setting Pattern Resolution 180
- Step Dynamics 180
- Pattern Shuffle 180
- The Pattern Enable switch 181
- Pattern Functions 181
- Chaining Patterns 181
- Redrum Parameters 182
- Pitch Bend 183
- Global Settings 184
- Using Redrum as a Sound 185
- D Subtractor Synthesizer 187
- The Oscillator Section 188
- SUBTRACTOR SYNTHESIZER 189
- Oscillator Keyboard Tracking 190
- Using Oscillator 2 190
- Oscillator 2 Waveform 190
- Noise Generator 190
- Phase Offset Modulation 191
- Frequency Modulation (FM) 192
- Ring Modulation 192
- The Filter Section 193
- Filter 1 Frequency 195
- Resonance 195
- Filter Keyboard Track (Kbd) 195
- Filter 2 195
- Envelopes - General 196
- LFO Section 197
- LFO 2 Parameters 198
- Play Parameters 199
- Portamento (Time) 200
- External Modulation 201
- D Thor Polysonic Synthesizer 203
- Thor elements 204
- THOR POLYSONIC SYNTHESIZER 207
- Selecting oscillator type 207
- The Oscillator section 208
- Common parameters 209
- Analog oscillator 209
- Wavetable oscillator 209
- Phase Modulation oscillator 210
- FM Pair oscillator 210
- Multi oscillator 211
- Noise oscillator 211
- Mix section 212
- Filter slots 213
- State Variable Filter 214
- Comb filter 214
- Formant filter 214
- Amp section 215
- Envelope sections 216
- Global section 217
- Modulation bus routing 218
- Modulation Sources - Global 221
- Step Sequencer 223
- Setting the direction 224
- Programming step note pitch 224
- Inserting rests 224
- Setting the number of steps 225
- Setting Rate 225
- Step Pattern functions 225
- D Malström Synthesizer 227
- The amplitude envelopes 230
- The Modulator section 231
- The Filter section 232
- Filter types 233
- Filter controls 233
- The Filter Envelope 234
- The Shaper 235
- Routing examples 236
- The output controls 237
- The play controls 238
- The Velocity controls 239
- Routing external audio to 241
- MALSTRÖM SYNTHESIZER 242
- D NN-19 Sampler 243
- General Sampling Principles 244
- About Audio File Formats 245
- About Key Zones and 246
- Creating Key Zones 247
- Selecting Key Zones 247
- Setting the Key Zone Range 247
- Deleting a Key Zone 247
- NN-19 SAMPLER 248
- The Sample knob 248
- Automap Samples 249
- NN-19 Synth Parameters 250
- Envelope Section 251
- Gate Inputs 256
- D NN-XT Sampler 257
- Panel Overview 258
- Loading Complete Patches 259
- Using the Main Panel 260
- Overview of the Remote 261
- Editor panel 261
- About Samples and Zones 262
- Selections and Edit Focus 263
- Moving Edit Focus 264
- Adjusting Parameters 265
- Managing Zones and 266
- Using Copy and Paste 267
- Working with Grouping 268
- Working with Key Ranges 269
- NN-XT SAMPLER 270
- Dragging multiple zones 271
- Setting Root Notes and 272
- Using Automap 273
- Layered, Crossfaded and 274
- Velocity Switched Sounds 274
- Using Alternate 276
- Sample Parameters 277
- Group Parameters 278
- Synth parameters 279
- The Pitch section 281
- The Modulation Envelope 282
- The Amplitude Envelope 283
- The LFOs 284
- Mode (LFO 1 only) 285
- Waveform (LFO 1 only) 285
- Key Sync (LFO 1 only) 285
- Destinations for LFO 1 285
- Destinations for LFO 2 285
- D Dr. Rex Loop Player 287
- Adding a Loop 289
- Creating Sequencer Notes 290
- Slice Handling 291
- Dr.Rex Synth Parameters 292
- Velocity Control 294
- Audio Quality Settings 295
- D Matrix Pattern Sequencer 297
- Tutorial 300
- MATRIX PATTERN SEQUENCER 301
- Using Curve Patterns 302
- Using Tied Notes 303
- Pattern Mute 303
- Example Usage 305
- D RPG-8 Arpeggiator 307
- Using the RPG-8 308
- RPG-8 ARPEGGIATOR 309
- Using multiple Lanes 310
- RPG-8 Parameters 311
- Arpeggiator parameters 312
- Pattern editor 313
- Pattern functions 314
- Automating the Pattern editor 314
- CV connections 315
- Tips and tricks 316
- D ReBirth Input Machine 317
- Preparations 318
- Mix-L and Mix-R 319
- REBIRTH INPUT MACHINE 320
- D BV512 Vocoder 321
- Setting up for basic 323
- Vocoded vocals 324
- Using the BV512 as an 325
- BV512 parameters 326
- Automation 328
- Choosing a modulator sound 329
- Controlling the Hold function 330
- Using the BV512 as a reverb 332
- Creating a stereo reverb 333
- BV512 VOCODER 334
- D The Effect Devices 335
- Common Device Features 336
- The MClass effects 337
- The MClass Equalizer 337
- The MClass Stereo Imager 338
- The MClass Compressor 339
- THE EFFECT DEVICES 340
- The MClass Maximizer 341
- Scream 4 Sound Destruction 341
- Parameters 342
- Cut section (EQ) 343
- Body section 343
- CV inputs and outputs 344
- RV7000 Advanced Reverb 346
- The main panel 347
- The remote programmer 347
- Selecting an algorithm 347
- Small Space 348
- Multi Tap 349
- The EQ section 351
- The Gate section 351
- CV Inputs 352
- RV-7 Digital Reverb 353
- DDL-1 Digital Delay Line 354
- D-11 Foldback Distortion 355
- ECF-42 Envelope Controlled 355
- The Envelope Parameters 356
- CV/Gate Inputs 356
- CF-101 Chorus/Flanger 358
- PH-90 Phaser 359
- UN-16 Unison 360
- COMP-01 Auto Make-up 360
- Gain Compressor 360
- PEQ-2 Two Band Parametric 361
- Spider Audio Merger & 362
- Splitter 362
- Merging CV 363
- Practical uses of merging CV 363
- Splitting CV 365
- D Menu and Dialog Reference 367
- Reason Menu (Mac OS X) 368
- File Menu 368
- Publish Song 369
- Song Self-contain Settings 370
- Import MIDI File 370
- Export MIDI File 371
- Export Device Patch 371
- Edit Menu 372
- Sequencer clips and events 373
- Browse ReCycle/REX Files 374
- Browse Samples 374
- MENU AND DIALOG REFERENCE 375
- Automap Zones 377
- Automap Zones Chromatically 377
- Create Velocity Crossfades 377
- Copy REX Loop to Track 377
- Copy Pattern to Track 377
- Clear Remote Override Mapping 382
- Preferences – General 382
- Preferences – Audio 383
- Latency Compensation 385
- International (Windows only) 387
- Create Menu 388
- Options Menu 389
- Checking Connections 390
- Window Menu (Windows 391
- Version) 391
- Window Menu (Mac OS 391
- Help/Contacts Menu 392
- Web Site 135, 367 402
- Wheel mouse 13 402
- Windows MME Driver 20 402
- Zooming 12 402
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