Propellerhead Reason - 4.0 Betriebshandbuch PDF herunterladen (Seite 220)

THOR POLYSONIC SYNTHESIZER

218

10.The modulation routing is now complete!

You now have full control over the vibrato modulation by using the Mod wheel.

• How much modulation will be applied when the Scale parameter is set to maxi-

mum is governed by the Source to Destination Amount parameter.

• How much the Scale parameter controls the modulation is set with the Scale

Amount parameter.

• To clear any assigned modulation routing you can use the “CLR” button to the

right of the corresponding bus.

About the three modulation routing types

As described in the tutorial, the principal operators of the Modulation bus routing sys-

tem are as follows:

• You have Modulation Source, Modulation Destination and Modulation Amount pa-

rameters.

• Optionally, you have a Scale parameter controlling the Modulation Amount, and a

Scale Amount that governs how much the Scale parameter controls the Modula-

tion Amount.

There are three different types of modulation routing busses available in Thor:

D You have seven “Source –> Destination –> Scale” routing busses.

These are the seven rows in the left half of the Modulation section, as covered in

the tutorial.

D There are four “Source –> Destination 1 –> Destination 2 –> Scale” bus-

ses.

These are the four top rows in the right half of the Modulation section. This works

after the same principle but the Source parameter can affect two different Destina-

tion parameters (with variable Amount settings) and a Scale parameter that affects

the relative modulation Amount for both Destinations.

D Lastly, there are two “Source –> Destination –> Scale 1 –> Scale 2” bus-

ses.

This means that a modulation Amount can use two Scale parameters.

An example: You have the Mod Envelope as Source and Oscillator Pitch as the

Destination (Amount set whatever you like). As the first Scale parameter we use

the Mod Wheel (Amount set to 100 so that no modulation is applied when the

Mod wheel is at zero), and LFO 1 as the second Scale parameter (Amount set to

whatever you like). When you move the Mod wheel, the pitch modulation amount

will be modulated by both the Mod Envelope and LFO 1 simultaneously.

Modulation Sources - Voice section

The following parameters can be used as Voice section modulation Sources:

Parameter

Description

Voice Key Voice Key lets you assign modulation according to notes. There

are 4 modes selectable from the sub-menus:

• Note - this is keyboard tracking. If a positive Amount value is

used and the destination is filter frequency, the filter fre-

quency will track the keyboard, i.e. increase with higher notes.

• Note2 - this works similarly to Note but within a repeated oc-

tave range. E.g. if Note2 modulates Amp Pan the pan position

will move from left to right within an octave range then start

over. If you play chords normally over the keyboard the effect

will be that notes are randomly spread across the stereo field.

• Velocity - this applies modulation according to velocity (how

hard or soft you strike the keys).

• Gate - this is Gate on/off. E.g. if applied to oscillator pitch you

will get one pitch value (set by Amount) when a key is

pressed, and another value (the unmodulated pitch) when the

key is released.

Osc 1/2/3 This allows you to route the audio output from the oscillators to a

destination.

Filter 1/2 This is the audio output of the filters. All filter parameters affect

the destination.

Shaper This is the audio output of the Shaper module. Note that any-

thing connected to the Shaper, e.g. Filter 1, affects the Shaper

output, and thus the resulting modulation.

Amp This is the audio output of the Amp Gain section.

LFO 1 This allows you to modulate parameters with LFO 1.

Filter Envelope This allows you to modulate parameters with the Filter Envelope.

Amp Envelope This allows you to modulate parameters with the Amp Envelope.

Mod Envelope This allows you to modulate parameters with the Mod Envelope.

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