Propellerhead Reason - 4.0 Betriebshandbuch Seite 277

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NN-XT SAMPLER
275
Sample Parameters
The Sample parameter area is found below the screen. They allow you to adjust pa-
rameters for one or several selected zones. Adjusting a parameter with multiple zones
selected, will set the parameter to the same value for all selected zones. Below fol-
lows a run-down of the various parameters:
Root Note and Tune
These parameters are described on page 270.
Sample Start and End
By turning the knobs you offset the start and end positions, so that they will play back
more or less of a samples’ waveform. Typical examples of use for this would be:
D Removing unwanted portions from samples.
This could be anything from noise to “dead air” at the beginning or end of a sam-
ple.
D To create variations out of a single sample.
These controls can be used to pick out any section of a recording for use as a
sample.
D Together with velocity sample start control.
You can for example increase Sample Start and then apply negative velocity mod-
ulation to Sample Start. Then, the harder you play the more you will hear of the at-
tack portion of the sound.
If you hold down [Shift] when adjusting these parameters, the adjust-
ment is always in single frames (samples).
Loop Start and End
A sample, unlike the cycles of an oscillator for example, is a finite quantity. There is a
sample start and end. To get samples to play for as long as you press down the keys
on your keyboard, they need to be looped.
For this to work properly, you have to first set up two loop points which determine the
part of the sample that will be looped.
The instrument samples in the sound banks included with Reason are already looped.
The same will be true for most commercial sample libraries. However, if you need to,
you can use these controls to adjust the looping.
The size and position of the loop – in the sample – is determined by two parame-
ters, Loop Start (the beginning of the loop) and Loop End (the end point of the
loop).
The NN-XT then keeps repeating the section between the Loop Start and Loop
end until the sound has decayed to silence.
Play Mode
By using this knob you can select one of the following loop modes for each zone:
D FW
The sample in the zone will play only once, without looping.
D FW-LOOP
The sample will play from the sample start point to the loop end point, jump back
to the loop start point and then loop infinitely between the start and end loop
points. This is the most common loop mode.
D FW - BW
The sample will play from the sample start point to the loop end point, then from
the loop end point to the loop start point (backwards), and then loop infinitely for-
wards-backwards between the start and end loop points.
D FW-SUS
This works like FW-LOOP with the exception that it will only loop as long as the
key is held down. As you release the key, the sample will play to the absolute end
of the sample, that is beyond the boundaries of the loop.
This means that the sound may have a short natural release even if the release pa-
rameter is raised to a high value (which is not true for “FW-LOOP”, where the re-
lease parameter always controls the length of the sound after the key is released).
D BW
The sample will play only once - from the end to the beginning - without looping.
Lo Key and Hi Key
These parameters are described on page 267.
Lo Vel and Hi Vel
These parameters are described on page 272.
Fade In and Fade Out
These parameters are described on page 273.
Alt
This parameter is described on page 274.
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